Alfred Prufrock, like much of T. A product of his times, our main man seems to feel out of place - and rightfully so. Alfred Prufrock, the pessimistic protagonist, seeks deeper meaning in the seemingly meaningless actions of those around him, using powerful literary devices to pull the reader deep into his world.
This imaginary film is, in a sense, a real-life documentary: There are no heroes or heroines, and there is no narrator telling readers what to think or how to feel.
Instead, Eliot allows multiple voices to tell their individual stories. Many of the stories are contemporary and portray a sordid society without values; other stories are drawn from world culture and include, among other motifs, Elizabethan England, ancient Greek mythology, and Buddhist scriptures.
The poem is divided into five sections. Because the poem is so complex, that meaning must be left to the individual reader; however, many students of the poem have suggested that, generally, Eliot shows his readers the collapse of Western culture in the aftermath of the war.
Clearly, her life has been materially and culturally rich.
Now in old age, thoughts of the past seem to embitter her, and she spends much of her time reading. The following stanzas describe the visions of the Sibyl, a prophetess in Greek mythology, and compare these to the bogus fortune-telling of a modern Sibyl, Madame Sosostris.
A description of the River Thames begins part 3. The narrator juxtaposes the pretty stream that Renaissance poets saw with the garbage-filled canal of the twentieth century.
T.S. Eliot (–).Prufrock and Other Observations. 1. The Love Song of J. Alfred Prufrock. The Waste Land and Other Poems [T. S. Eliot] on caninariojana.com *FREE* shipping on qualifying offers. This volume includes the title poem as well as “The Love Song of J. Alfred Prufrock, ” “Gerontion. Ask each student to access the Prufrock Analysis Worksheet they completed while reading “The Love Song of J. Alfred Prufrock” prior to this class period. Alternatively, pass out the Prufrock Analysis Worksheet and ask them to re-read the poem carefully and answer the questions, either individually or in groups.
Most of the section tells the story of an uninspired seduction. The speaker, ironically, is the Greek sage Tiresias, who, in legend, was changed from a man into a woman. In this androgynous mode, Tiresias can reflect on both the male and the female aspects of the modern-day affair between a seedy clerk and a tired typist.
This section ends with snippets of past songs about the Thames and the Rhine. The brief stanzas in part 4 picture Phlebas, a Middle Eastern merchant from the late classical period. The tone is elegiac: The speaker imagines the bones of the young trader washed by the seas and advises the reader to consider the brevity of life.
The final section, part 5, is set in a barren landscape, perhaps the Waste Land itself, where heat lays its heavy hand on a group of anonymous speakers.
They seem to be apostles of some sacrificed god, perhaps Christ himself. Nevertheless, the thunder holds some small promise. The poem shifts setting again. The thunder speaks three words in Sanskrit, an ancient Indian language, which is also the language of Buddhist and Hindu scriptures.This lesson studies some of the more common literary devices found in literature.
Devices studied include allusion, diction, epigraph, euphemism, foreshadowing, imagery, metaphor/simile. T.S. Eliot (–).Prufrock and Other Observations.
1. The Love Song of J. Alfred Prufrock.
The Waste Land, T. S. Eliot’s masterpiece, is a long, complex poem about the psychological and cultural crisis that came with the loss of moral and cultural identity after World War I.
When it. Description and explanation of the major themes of Eliot’s Poetry. This accessible literary criticism is perfect for anyone faced with Eliot’s Poetry essays, papers, tests, exams, or for anyone who needs to create a Eliot’s Poetry lesson plan. The Waste Land and Other Poems [T. S.
Eliot] on caninariojana.com *FREE* shipping on qualifying offers. This volume includes the title poem as well as “The Love Song of J.
Alfred Prufrock, ” “Gerontion. The genre of horror has ancient origins with roots in folklore and religious traditions, focusing on death, the afterlife, evil, the demonic and the principle of the thing embodied in the person. These were manifested in stories of beings such as witches, vampires, werewolves and caninariojana.coman horror fiction became established through works by the Ancient Greeks and Ancient Romans.